Maker Mat SAL: Pocket Panel Tips & Tutorials

Hello, Hello! If you are just joining the sew-a-long, please scroll down a few posts to find the kickoff and all the tips shared in previous posts or scroll to the bottom of this post for direct links.

So far we’ve worked on the main body of the mat and how to add a machine handle opening, and today I’m going to talk about the pocket panels. If you’re just getting started on your mat, don’t worry, there’s still plenty of time!

Before you begin your pocket panels remember that if you changed the size of your main body, you will need to also adjust the size of the pocket panels! You can do this by changing the size of one pocket or adjusting all the pockets equally. Don’t forget to think about seam allowances when calculating cutting sizes.

One thing to note about the pocket panels is that there are SO many ways you can customize this entire project, but especially this part. You can adjust the sizes, add more or less pockets, you can piece them all with any block you love or you can eve use one solid cut of fabric to make it really quick and easy. Be sure to check out the #undercovermakermat hashtag on social media to see tons of creative inspiration!

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Above you can see just a few variations from mats that I’ve made in the past. The top left follows the pattern as written, which the bottom left follows the same sizing and layout, but uses full cuts of fabric (rather than piecing) with cute fussy cuts! On the right, there is a little mix of both. I substituted my Love Story pattern block for the butterfly and then used solid fabric cuts for the other pockets with some added lace trim details.

First I’m going to share some tutorials and tips on creating the accent pocket panels which are the paper pieced butterfly and the selvedge pockets, then I’ll cover a bit more details on piecing the panels and trim options.

All the information you need to create the accent pocket pieces is included in the pattern (including a link to a tutorial on making the butterfly for beginner paper piecers), but I will go into a bit more detail here and include some additional tips and photos, as well as design variation ideas.

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PAPER PIECING TIPS

You can find the pattern for my Butterfly Charm Blocks here. All three butterfly designs are the same size and any can be used. The foundation paper piecing tutorial link included in the pattern is from Cassandra Madge and you can find it here. It was so sweet of her to use my pattern as the example for her tutorial!

Our methods of paper piecing are very similar, with just a few differences. I like to use the Add-A-Quarter Ruler, rather than a standard quilting ruler. It does the same job, but is just one of those tools that takes away some room for error. Another paper piecing tutorial I often direct people to is this video from Connecting Threads. You can see the Add-A-Quarter ruler being used.

paper piecing tips | lillyella stitchery

When I paper piece, especially small blocks, I like to use Foundation Paper. You can buy one from Carol Doaks or you can use any thin newsprint. Someone recently mentioned they found this pack from Dick Blick, and you can’t beat the price! I also apologize that I don’t remember who tagged me on that, please let me know if it was you! It is essentially just a thinner paper that creates less bulk and allows for easier removal. You can use any paper for paper piecing, but the thinner you can find, the easier it will make the process.

Another thing I ALWAYS do is to trace the pattern onto the back of the sheet. It does not have to be perfect because you will only be using it for reference, but it helps in a multitude of ways. I use a lightbox, but you can also use a window. Since this is the side where you will place your fabric, you can use these lines as a guide for cutting your fabric pieces. You can still use the printed side, but you have to work with your fabric upside down at that point, and I like to see the prints and placement.

After tracing and selecting fabrics, I also note my fabric selections or color accordingly on this side. Then I always know I’m placing the correct piece. These lines also help you as you sew to make sure a fabric cut will cover a segment. Place the fabric where you would for your next seam, but before sewing, hold the fabric approximately where your seam will be and fold the fabric over as you would when pressing it after sewing. You can then see if your piece is large enough to cover everything it needs to. You can then sew your seam with confidence, because unpicking a paper pieced seam is NO FUN!

Lastly, I find having these lines helps prevent you from missing a segment, which is something I see a lot in paper piecing. When you have the pattern lines on the side where you are placing fabric, you will notice if you’ve missed a piece. You still have to pay attention, but it’s definitely better than flying blind!

paper piecing tips | lillyella stitchery

In Cassandra’s tutorial, you will see her talking about adding some basting stitches to you sections to help when piecing them together. This is important and something I always do as well, however, I put my stitches in the seam allowance as you can see above in the left photo.

Another tip is that when trimming sections to the seam allowance after piecing, do not trim any sides that are on an outer edge (above right). This way you can trim your final block to size after it is completely pieced. It is not uncommon to lose a little bit in each seam, so this ensures you can have the correct sized block in the end, and also lets you trim the block to a slighty larger size, if desired.

After piecing sections, I always remove the paper from the seam allowance only before sewing sections together. This just helps with bulk and allows you to press a flatter seam before adding the next section. You can also see this in the above right photo.

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SELVEDGE POCKETS

For those who are new to sewing or do not know what a selvedge is, it is the finished edge on a bolt of fabric. There are finished edges on both sides along the width of the fabric, but only one will contain printing and this is the side I use on this project. I cut my selvedges off with about one half inch to one inch or so of the fabric print included, just to make sure I always have enough extra to work with them. The directions on how to work with the selvedges to create the pockets are included in the pattern.

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VARIATIONS

Below are more variations from makes on Instagram to help inspire you!

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TRIM

This pattern uses trims or ribbons for securing the secondary pockets and hiding the raw edges, and also for creating the side ties when using it as a machine cover. Below are some trims from my collection that I’ve found at Joanns, Hobby Lobby and even Walmart. Anything between 1/4″ to 3/8″ width is best. If it is too small then you will have trouble enclosing the raw edge of the pocket, any thicker and you cut into your pocket space. Trims that are more solid are best to hide the raw edges, but some lacier style trims can work ok, too.

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If you don’t have any trims on hand, you can also use a thin bias binding strip instead. Start with a 1″ or 1.25″ cut strip, fold the raw edges into the center, then fold in half and press and use this as you would a piece of ribbon. You can also you another selvedge with the cut side pressed under. Lots of possibilities!

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Undercover Maker Mat | lillyella stitchery

POCKET BINDING

I like the look of the binding on the pocket because I think it balances the piece nicely, but if you prefer, you can eliminate this step and instead attach the lining to the pocket panel just as you did on the small secondary pockets. Just lay your lining piece, RST, on top of your finished main pocket panel and sew across the top with a 1/4″ seam. Flip the lining to the back, press, and top stitch along the top edge. You can include the fusible fleece when you do this, add it after tucked up to the seam, or skip it all together and use some lightweight interfacing on one or both pieces instead.

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Above are a couple examples I saw on the #undercovermakermat hashtag on instagram that demonstrate this variation. If you have any questions about doing this instead of the binding, just let me know and I’m happy to help!

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Once your full pocket panel is complete, you will baste it to your mat body and bind the entire piece as covered in the pattern. BE SURE TO ADD YOUR SIDE TIES BEFORE BINDING! If you do not plan to use your mat as a cover, you can leave them off. I did forget to add them once and just had to unpick a little bit of my binding and tuck them in, which was not hard to do, so it’s not the end of the world if you forget, or even decide to add them later!

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Just as with trim used to secure the secondary pockets, you can instead use a binding strip for your side ties, or even additional selvedges. If using a binding strip, simply top stitch along the folded edge to close it up. You can tie knots on the ends or stitch them closed.

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Stay tuned next week for one more post talking about the thread catcher before we wrap things up on October 28!

ADDITIONAL POSTS:

Undercover Maker Mat Sew-a-long: All the details

PART ONE: Kickoff! Sizing your mat and tutorials for beginners

Sponsors and Prizes!

PART TWO: Adding a machine handle opening

Cotton Cuts Mystery Quilt Blog Hop

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Last month, I had the opportunity to participate in a really fun Blog Hop for an awesome “block of the month” type quilt from Cotton Cuts called the Puzzle Mystery Quilt. This is seriously such a cool concept! if you haven’t heard of it before, this is how it works…

The club begins in February or July and runs for one year, with a new quilt theme each year. (And before I forget to mention it, sign ups for next years Mystery Quilt beginning in February start TODAY! Click here for all the details.)

The current Mystery Quilt theme that I was part of is Through the Garden Gate. When you sign up for the club, you choose a colorway and finished quilt size. The colorways/fabrics for the Spring Puzzle Mystery Quilt (PMQ) are so fun! There is always a variety of styles to choose from. Some of the upcoming spring choices include Panache by Rebecca Bryan, Fable by Rae Ritchie, Diving Board by Alison Glass and many more.

Each month you receive a packet of PRECUT fabric (the best part!) and directions on piecing that month’s blocks or block parts. The mystery aspect is that you have no idea how it will come together until the last month when you receive directions on how to piece all your parts together.

What I love most about this is how quick and easy it was. Because the fabrics come precut, you just sit down for about an hour of sewing and that month’s blocks are done. This is something I COULD ACTUALLY KEEP UP WITH! Right?!

#TeamZinnia (2)So, when you join the club, you make the entire quilt yourself, but to help spread the word and make an awesome quilt for Charity (which you can enter to win, read on!), Cotton Cuts asked a group of us to each make one month’s blocks. The colorway we worked on is the Aster colorway which is a mix of Carolyn Friedlander fabrics. Below you can also see the other colorways from the 2017 PMQ.

Process Support Documents - MQ2.pdf

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Here is an example of what you receive each month, your precut fabrics and direction sheet. It was really easy to follow and took me about 45 minutes, if even, to sew all my parts.

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In the end, below are the November “blocks” I sewed up. I am so anxious to see how these all come together! Everyone who has participated has sent their parts back to Cotton Cuts for them to assemble the final quilt which will be raffled off to benefit Valley Industries.

You can read more about this cause and enter the quilt raffle here!

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As I mentioned in the beginning, sign ups for the 2018 Puzzle Mystery Quilt are now open! You can see all the colorways and learn more here. I’m really torn between the Dublin and Helinski colorways – which is your favorite??

You can check out the previous and upcoming clues through the Blog Hop here:

July – Sheila Christensen (www.mysteryquilter.com) with guest blogger Kim Moos
August – Yvonne Fuchs (www.quiltingjetgirl.com)
September – Teri Lucas (www.terificreations.com)
October – Wendy Welsh (www.wendysquiltsandmore.blogspot.com)
November – Nicole Young (www.lillyella.com)
December – Chris Dodsley (www.madebychrissied.blogspot.com)
January – Amy Smart (www.diaryofaquilter.com)
February – Sam Hunter (www.huntersdesignstudio.com)
March – Cheryl Sleboda (www.muppin.com)

Happy sewing, friends!
~ nicole

Planning my Moonstone Quilt

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Howdy, friends! I’m here today with a short post about planning my Moonstone Quilt. There is a high likelihood that all of this may only make sense in my own head, but planning this was a HUGE struggle for me, so I wanted to share my thought process in case it does happen to help anyone!

First, if you haven’t seen the Moonstone pattern by Giucy Giuce and Karen The DIY Addict, you must check it out! (You can find it here.) Moonstone is an English Paper Piecing pattern (aka hand sewing!) and it comes in a fantastic kit complete with all the pieces you need to make a quilt, or several small projects, along with acrylic templates for cutting your pieces. The kit and pattern are really well done and I think the design is just so striking! It was just recently released, but there are already a handful of really inspiring photos on social media under #moonstonequilt.

AAANNDDDD… there just so happens to be an AMAZING giveaway going on right now where TWO lucky winners will be flown to San Fransisco to hang out with Giuseppe and Karen for the launch of the Moonstone Sew Along! You can find all the details here.

Ok… onto my quilt!

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For my Moonstone quilt, all I knew was that I wanted to use the new line, Neptune and the Mermaid by Margot Elena (Tokyo Milk) for Free Spirit Fabrics. It’s absolutely dreamy and seems like it was just made for fussy cutting. That’s as far as my plan went. I couldn’t even decide what configuration of the pattern I wanted to use.

So I stared, and stared, and stared some more. I only chose a few of my favorite prints from the line, but was really struggling because there is a lot of variation in color in what I chose. As a whole, the line ties together, but when you just pick and choose some prints, not quite as much.

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I started to pull some blenders in every color used in all the prints I had and decided that a Free Spirit Fabric designer mash up would be the way to go. I pulled what I could from my Tula Pink and Anna Maria Horner stash, and order a few more things by those two ladies, as well as Amy Butler and Heather Bailey.

I hadn’t really planned to use this many colors in the quilt, but once I saw them all together, how could I not? I had to figure out a plan. I organized all the blenders by color and took some photos. I spent a good amount of time looking at the photo of all my focals and then at the photo below of all the blenders. I stewed about it for awhile, as I usually do with projects. I kept hoping something would come to me.

And then I stewed some more. I mean, I stewed A LOT. I thought about while I walked the dogs, while I did dishes, I’m pretty sure I even dreamed about it.

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Something that many of you likely already know about me is that I am a planner. Hard core. I so desperately wanted to start cutting and sewing, but knew that I had to figure out where it was going first.

So I thought about the focals and how I would fussy cut them. I took photos of all the parts I planned to use and thought about the main colors in each of those parts, then I made a list. This helped me figure out how many variations I had to work with in my design and how I may be able to organize them.

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I kept going back to the idea of a color fade. Perhaps diagonally across the quilt or something, but I couldn’t make that work. I ended up order some of the dark blue color way of the Neptune line because I felt like I was going to need it to balance everything out.

It was time to make some decisions. First, I had to pick a pattern configuration and then I just had to start playing.

I use Adobe Illustrator for most of my drawing and layout. I understand many people do not have this program, so these next steps may not be helpful for everyone, but it is a great program that anyone can use with a little patience and a few YouTube tutorials!

I really loved the Gems configuration of Moonstone because I love the four pointed stars it makes, but I wanted my fussy cut focals to run horizontally and diagonally because they are primarily people and fish, so I rotated the gems configuration 45° to what you see below. I drew up the pattern in Illustrator so that I could begin placing my fabrics and colors.

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I input JPG swatches of the focal fabrics and turn them into pattern swatches so that I can place them into shapes. It’s not perfect, but it definitely does the job!

Once I had the pattern drawn up, I stared at the blank canvas for a bit until I decided which shapes I wanted to focus on. I settled on the large four-pointed stars that you can see around the outer edges and their center octagons. Everything would radiate from these. I started playing with those elements only and trying different repetitive color arrangements.

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I was going a little crazy with all the possibilities so finally just chose my favorite and started filling in the spaces between. I still really wanted to achieve some sort of color gradation and began trying to do that between the stars. It took some time, but I finally felt like it was moving in the right direction!

Once I reached the point shown above, I felt confident enough about the direction that I could start sewing.

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A good part of what I’ve already laid out will repeat around, but I do still have a bit more to work out. All in good time…

In the meantime, I can sew! I finished my first piece yesterday and have my second prepped. My plan is to work out from the middle of the quilt so that I can stop or keep going at any point. My current design plan is about 65″ square.

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There’s no question that this quilt will take me quite awhile to finish, but I know I’ll enjoy the process, and that’s what matters!

Saki Quilt Workshop in Albuquerque · August 12 & 13

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Calling all my Southwest friends in or around New Mexico! (Or anywhere in the world who may want to get away for a couple days!)

My other half, Sariditty, and I are so excited to announce that we’ll be teaching our SARIELLA Saki Butterfly Quilt Workshop will be at Hip Stitch in Albuquerque, New Mexico on August 12 & 13. During this two-day class, you will learn all the basics of Foundation Paper Piecing and Appliqué, as well as how to tackle these techniques on a large scale, while you make a Saki butterfly quilt of your own. Basic knowledge of quilt piecing is required, all skill levels welcome. The class runs from 9am – 5pm both days. The finished quilt measures 75″ x 58″.

In addition to the workshop, we will also be doing a Trunk Show at Hip Stitch on Friday, August 11 at 6pm. All are welcome! Admission is $10. We will be sharing some of our work, as well as talking about our favorite modern quilting tips, tricks and techniques. There will also be some amazing door prizes!

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The cost of the Saki Quilt Workshop is $200 and space is limited to 20 participants. Cost includes paper pattern, pattern templates, and admission to the trunk show. A materials list will be supplied upon registration. Sign ups are now open and you can register by calling the shop, visiting their website, emailing them, or just stopping in!

HIP STITCH
2320 Wisconsin St., NE, Albuquerque
505-821-2739
hipstitchabq.com
Email: HipStitchABQ@gmail.com

If you have any questions, please leave a comment below or contact us here. We hope to see you there!

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I may be underdressed, but at least I’m not late.

Earlier this year, Art Gallery Fabrics asked if I wanted to play with any of their new collections, and when I first saw Lower the Volume, I immediately knew I had to make a quilt. I have been wanting to make a low volume quilt for some time and this was the perfect opportunity to finally do it. Shortly there after, Mister Domestic asked me to be a part of his sewing party showcasing the new AGF Capsules and Fusions lines, to which I replied, “of course!”, seeing as I already had this plan in the works, and who doesn’t want to party?! But then I went into panic mode…

I knew there was no way I could finish this quilt “on time”. My thought was that I should make something else so I would have a beautiful finished product to show off when it was my day on the tour. This is what I typically do and how I always think. The problem with this is that I never let myself do the “big projects” that I really WANT to do, because I never have enough time to complete them.

I am a slow sewer, and I mean SLOW. This is partly because I just physically move slow and meticulously when I create, partly because I’m always working on about 13 things at once, and partly because I just don’t have a lot of time to sew, especially when spring hits and it’s time to tend to the land, or when my husband gets extra busy at work because sh*t is hitting the fan somewhere in the world.

So, there you have my little chunk of a quilt top in progress. I have no idea when I will finish it (though I’m super excited to because I am LOVING it!), because I’m not even done typing this blog post and already stressing about the new deadlines I have ahead of me next week.

Showing off this unfinished top for my day on the blog tour is painful and embarrassing for me. I’ve been feeling disappointed in myself all week and I know that’s just ridiculous, right?! We are always striving for a picture of perfection, even though every one of us knows that is never what life is actually like behind the scenes of social media. But, despite these feelings, I’m really glad that I chose to continue with this selfish sewing project, to let myself make something that I really wanted to, and to try and be more comfortable with being “less than perfect”. I do hope you like what you see thus far, though, and help cheer me onto the finish line!

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ABOUT THE FABRIC & PATTERN

Lower the Volume is one of four new Art Gallery Fabrics Capsules collections, and I think its awesomeness speaks for itself! We all use low volumes in nearly every project we make, but what I love about this line is how it’s interesting and lively enough to stand all on its own. I originally planned to use the line exclusively in the quilt, but decided that a small pop of color would be a really nice accent.

I chose the fantastic plaid shown above from the new Mad Plaid capsule collection for the backing (because it matches my living room perfectly!) and pulled the accent colors from there, which are Art Gallery Pure Elements and Solid Smooth denims (my favorites!). Aside from a single row of blue and yellow hexies, the rest of the quilt will be all low volume.

The pattern I’m using is Sari’s and my Sariella Deco Hex pattern that we created for the April Stash Builder Anniversary box. If you saw the mini we originally made, you’ll see I’ve rotated the pattern 90° counter-clockwise here for use in the quilt. I also enlarged the pattern a bit. If you missed the pattern in the Stash Builder box, it will be available from Sariella later this year, so stay tuned! I will also share more about my process in making this quilt when I finish it.

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STOP by the party!

Today wraps up week one of Mister Domestic’s Sewing Party, but be sure to check out the other posts from this week (shown above, links below), and also the Fusions portions of the tour beginning next week. I’ve already seen a few of the projects and they are legen… wait for it… DARY!

Capsules (April 17 – 21):
Monday: Cristy Stuhldreher (@loveyousew_) http://www.iloveyousew.com/
Tuesday: Kitty Wilkin (@nightquilter) https://nightquilter.com/
Wednesday: Sharon McConnell (@colorgirlquilts) http://colorgirlquilts.com/
Thursday: Stephanie Palmer (@latenightquilter) http://latenightquilter.com/
Friday: Nicole Young (@lillyellasworld) That’s me!

Fusions (April 24th – 28th)
Monday: Nicole Daksiewicz (@modernhandcraft) http://modernhandcraft.com/
Tuesday: Tara Curtis (@t_jaye, @WEFTYneedle) http://www.tjaye.com/
Wednesday: Melissa LeRay (@ohhowsweetco) http://www.ohhowsweet.com/
Thursday: Sarah Thomas (@sariditty) http://www.sariditty.com/
Friday: Jennifer Rossotti (@jennrossotti) http://gingerpeachstudio.com/

Have a fabulous weekend, friends!
~nicole

p.s. bonus points if you can guess what show I’ve been binge watching this week!

Life, love and the pursuit of denim.

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I’m pretty sure I can attribute my love of denim to the Levi’s jacket that my father wore for as much of my childhood as I can remember, and that I still wear today. The fact that there are amazing new, modern denims being made now is a sewer’s dream come true!

Art Gallery Fabrics is definitely blazing this modern denim trail and I could not pass up the opportunity to contribute to their Denim 2.0 Blog Tour and show you some of the newest additions to their already amazing collection of denims.

When I saw the new Crosshatch Textured Denim, I knew I had to do a home decor project. I have been wanting to make Amy Butler’s Gumdrop Floor Pillows for YEARS, since long before I was sewing regularly, but now was finally the time.

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ABOUT THE FABRICS

The crosshatch textured denim is 100% cotton and a heavier weight, 10 oz vs. the 4 to 4.5 oz of     the solid smooth denims that would be considered quilting or light apparel weight, making it perfect for this project. I would equate it to a soft, denim canvas. It comes in gray (Clouded Horizon), which I used here, dark blue (Rainy Night) and a medium blue (Babbling Brook) and in addition to decor projects, it could also be used for bags, upholstery, and even as a durable quilt back.

The crosshatch denim is definitely interesting enough to stand on its own (I would love to upholster an armchair!), but I wanted to have some fun and incorporate a print from Bari J’s newest line, Joie de Vivre, because, pretty flowers! I decided to do a little appliqué and add a three dimensional element using a fabric rose technique that is a favorite of mine for making brooches and hair clips.

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The beautiful white, red, and pink denims I used to create the roses are part of another new addition to The Denim Studio, a collection of light weight yarn dyes in the most amazing colors. They are just a tad lighter than the solid smooth denims and have a little bit of a different feel, very soft and almost linen like, but 100% cotton.

I have an old tutorial that you can find here on how to create the fabric roses. For the multicolored ones, I simply pieced thin strips of different colors together before pressing in half and rolling into shape.

After fussy cutting the roses from the Joie de Vivre print, I secured them with a raw edge appliqué style stitch using my machine and then I hand stitched the three dimensional roses in place afterwards.

The lace butterflies are cut from a trim that I purchased on eBay for a different project. As so often happens, they were sitting on my cutting table while I was working on my pillow and it all just clicked. They are the perfect accent and I think I would feel that something was missing without them.

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Because I loved the floral print so much, I decided to use it on two full panels of the pillow along with the gray denim, and I absolutely love it! I used a fusible featherweight interfacing on these before cutting them.

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All of the fabrics I used on this project were a dream to work with. It came together flawlessly and has an amazing look and feel to it, I could not be any happier with how this came out.

The AGF denims are seriously my go-to for everything – quilts, bags, decor, garments. Since they debuted The Denim Studio collection, I have included them in about 95% of my projects. For someone who does not like to use solids (me, me, me!), denims are a perfect alternative. They are technically a “basic”, but there is nothing basic about them. They are classic and timeless and we all know they go with everything!

Denims are the new denim! Wait? Denims are the new black? For the quilting world, maybe I should say denims are the new white! Regardless, I encourage you to give them a try. I guarantee you’ll fall in love.

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ABOUT THE PATTERN

Even though I consider myself a fairly well-versed, experienced sewist at this point, I’ll admit I was a tad intimidated by this pattern. It’s big, it’s three dimensional, it has an invisible zipper, BUT it was quick, easy, and immensely satisfying! If it wasn’t so awkward to ship, I would be making these for everyone on my holiday gift list. Think anyone would care if I sent it flat and told them they had to stuff it themselves?! Seriously, Im going to be overrun by these things.

The pattern includes two sizes, 18″, which is what I’ve shown here, and a larger 24″ version. That size is the width across the piece. The 18″ one measures about a foot high.

I am currently working on a 24″ one now using another of my favorite prints from Joie de Vivre and more of the new yarn dye denim in a gorgeous tealy blue. I will be blogging about the process, the embellishment technique I’ll be using, and a few tips and tricks about putting it all together, if anyone is interested in making one themselves. I’ll be sharing that next week, so stay tuned!

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THAT’S A WRAP!

I truly hope this project has inspired you to work with new materials or try new techniques, and that you take a moment to check out the other inspiring projects on the Art Gallery Fabrics Denim 2.0 Blog Tour. I have seen them all, and trust me when I say they are unique and amazing!

Here is the full lineup:

Monday- Christopher http://www.thetattooedquilter.com

Tuesday – Nicole, that’s me!

Wednesday – Sari http://www.sariditty.com/

Thursday – Jenn http://gingerpeachstudio.com/

Friday – Mathew https://misterdomestic.net/

You can also follow along on instagram with the hashtags #AGFdenimtour2point0 and #thedenimstudiobyAGF.

happy stitching!
~nicole

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Reusable Bowl Cap Tutorial

Reusable Bowl Cap Tutorial | lillyella stitchery

Help save the environment and look cute doing it! 😉

These reusable bowl caps are easy to make and customizable to fit any dish. You can use cotton alone for a washable cap, or add iron on vinyl for a more waterproof cap that can be wiped clean.

Reusable Bowl Cap Tutorial | lillyella stitchery

This tutorial includes directions for determining what size to cut your pieces, how to make bias binding, and how to construct the bowl caps.

Click here to download the free pattern.

The fabrics I used here are from the Little House on the Prairie line by Kathy Hall for Andover Fabrics and they couldn’t be more perfect! Those little florals mixed with the scenic prints are absolutely adorable.

Reusable Bowl Cap Tutorial | lillyella stitchery

I just love making these covers and find them handy for some many things. I always use old Pyrex and Fire King bowls that did not have lids, so using these makes me much happier than using plastic wrap! They also make great gifts. Pick up a cute bowl (or set) at a thrift shop, make a matching cover and give it as a housewarming or shower gift.

I hope you enjoy this tutorial! Share your project photos on Instagram & Facebook with #reusablebowlcap!

Reusable Bowl Cap Tutorial | lillyella stitchery

Avantgarde Blog Tour – The Neo Quilt Series

Avantgarde Blog Tour

When Sari and I were invited to join Katarina Rocella’s Avantgarde Blog Tour, we had just wrapped our Sariella Retreat, Western Edition, where we started working on our first collaborative patterns, so we knew this was a perfect opportunity to work on some more!

We were both in love with the bold, bright colors and textural patterns in the line and the Bauhaus Dissection print was our favorite, so we decided to use it as inspiration for designing the patterns.

Neo Quilt Series | sariella

The next question was what to make… lap quilt, minis, pillows? In the end, we decided on all, of course! I have come to adopt my husband’s motto, anything worth doing is worth overdoing. I mean, he has a point…

After days (literally) of sketching, texting, facetime and phone calls, we had our plan. We both love versatility, so that’s what won in the end. We created a collection of panels, or blocks, that would go together into a beautiful (and customizable) lap quilt, but could each also be used independently to create mini quilts and pillows. Think of it as a create your own adventure pattern! And because we are mild overachievers and can’t contain all our ideas, we created an additional separate mini quilt pattern, too. Together, we’re calling it the Neo Quilt Series (#NeoQuiltSeries).

I’m so excited to finally share these patterns that we’ve been feverishly working on for weeks! Sari will be sharing the full quilt design on her blog tomorrow, but today I’m showing you some of the mini quilt and pillow patterns. They will all be headed to testers shortly and will be available in March, but we also have a free one for you today! And it is where I will begin…

NeoVolheader

NeoVol pattern | Sariella

This is NeoVol. Simple appliqué lends itself to a beautiful 18×20 mini quilt that is quick to sew and allows you to showcase a fun print. It also makes a darling pillow (shown a couple photos down) and can be resized to create a variety of different designs (another of which you’ll see used in the quilt reveal tomorrow).

You can download the free pattern here. We hope you enjoy it!

NeoVol Pattern | sariella

I kept the quilting simple (but awesome!) on this mini with a little rainbow explosion coming from the top corner. I continued the lines through the butterfly, but switched to a dark purple, and then picked the rainbow color up again on the other side of the butterfly.

I also did some random angled lines horizontally across the bottom and the dots to help hold them in place. My favorite part, by far, is the striped binding!

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NeoBurstHeader

NeoBurst Pattern | sariella

Another panel from the quilt design is NeoBurst, which will be part of the quilt pattern and also available separately as an 18×20 mini quilt pattern. It will include an 18″ square variation, which is shown here made into a pillow.

NeoVol Pillow | sariella

NeoBurst is another quick-sew block with simple paper piecing and the opportunity to really have fun with fabric placement. Together with the NeoVol pattern, shown above as a pillow, you have a perfect set.

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NeoSphereHeader

NeoSphere Pattern | sariella

Last, but certainly not least, from me for today is NeoSphere. My favorite piece from the Neo Series changes every few minutes, but this circle has a special place in my heart! How can you not love it?!

The pattern will include directions to make this 18″ circular mini, as well as a box edge pillow. It will also include an option to finish the block as a square to use in a quilt or simply as a square mini or pillow.

NeoSphere Pattern | sariella

NeoSphere Pattern | sariella

My favorite thing about this pattern is that it looks complex, but goes together quick and easy. Don’t fear the curves! The center is created using simple paper piecing and the curved border is cut with templates. the final piece goes together in six wedges.

You can also change the design of the center by placing the templates in a different order, or how about an appliqué NeoVol butterfly in the center of the triangle? So many possibilities!

Sari's Mini

Sari has informed me that she has an open spot on her wall reserved for this one, so it will be headed off to hang out with Hazel, Luminaria and the rest of the gang out in WV! But I’ll be there to visit it soon, for the Sariella Retreat, Appalachian Edition!

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Neo Quilt Series | sariella

Sari and I have had so much fun creating these patterns and working with this amazing line. You can see how these fabrics really add such a fun pop of color and life to a space. It’s impossible to not be drawn to them.

I really need a whole cloth quilt with those stripes!

NeoVol Pattern | sariella

I can’t wait to hear what you think of the designs and show you all the fun variations our testers create over the next few weeks.

Be sure to stop by Sari’s blog tomorrow for more about the Neo Series and the Neoteric Quilt reveal! And stay tuned to our personal Instagram feeds (@lillyellasworld and @sariditty), as well as our Sariella feed (@sariellastudios) for updates and giveaways, including the NeoVol mini and a few bundles of Avantgarde fabric!

NeoQuilt Series | sariella

You can also check out all the other projects from the tour on @KatarinaRoccella or under the hashtag #avantgardefabricsblogtour.

see ya soon!
~ nicole

Neo Quilt Series | sariella

Undercover Maker Mat Pattern

Undercover Maker Mat free pattern | lillyella stitchery

This dual purpose sewing space organizer has double pockets and a removable thread catcher to keep all your notions at hand and your workspace tidy. It goes from under to {machine} cover when not in use with side ties to keep it in place.

Click here  to download the PDF pattern.

If you have any questions about the pattern, feel free to contact me anytime. Tag your photos with #undercovermakermat so everyone can be inspired!

Undercover Maker Mat free pattern | lillyella stitchery

Midnight Bite Treat Bag Tutorial

Midnight Bite Treat Bag Tutorial | lillyella stitchery

After falling in love with that hexie print, I found the matching purple fabric and there began my plan! When I pieced the 10″ Midnight Bite block, I just knew it had to become a treat bag. This project slowly came together as I found each new piece and it couldn’t have worked out better!

The handles are webbing I found in the trim section of Joanns, the silver is reflective so it’s perfect for night time candy hunting! Then there is the bat trim… I mean, come on! It’s even purple. No brainer. I also found this at Joanns. It’s made by Simplicity and was on an endcap of an aisle. There were spider pom poms too, which I also have big plans for.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

This bag was quick and easy to make and can be customized in a variety of ways. You can use any fabrics, a variety of trims or fabric for the handles, and you can even adjust the measurements to modify the size for your preferences. It doesn’t even have to be just for halloween, it would make a perfect holiday gift bag!

This tutorial is really basic (because I have more bats to make!), but if you have any questions, just leave a comment below or shoot me an email. Please read thru the entire tutorial before beginning.

PREPARING YOUR BAG PANELS:

The finished size of this bag is 10″ wide x 12″ high x 2.5″ deep at the bottom with a 4.5″ drop. Below are the trim sizes for the outer pieced panels, the bag lining and the handles. You will need two of each piece. My handles are about 1.25″ thick but you can make them any size you wish.

My bag has a small boxy bottom. Simply eliminate the corner cuts if you don’t want a boxy bottom. You may also want to shorten your bag if you do this. I wanted my bag handles to be just long enough to slide over my hand easily and hang from my forearm, but not so long that the bag would drag on the ground if a little one was carrying it. You can adjust this measurement to be comfortable for you.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

Begin by piecing the three bottom outer panel pieces with a 1/4″ seam. In my bag, this is the bottom spiderweb print, the strip of dots and the focal bat (*see ‘Adding Decorative Trim’ section below for options on how to add trim accents).

Midnight Bite Treat Bag Tutorial | lillyella stitchery

The focal bat panel is the 10″ block from my Midnight Bite pattern, the finished width is 10.5″ and I trimmed the height of the block to 4.375″. This odd measurement was simply based on how I visually liked the bat to be framed, you can make this focal panel any size, just be sure to adjust the lining measurement equally. The same applies to the top band of my bag (the hexie print), the measurement was based on the size of the hexies.

Next you will add the handle before piecing on the top band of fabric.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

Lay your top fabric right side up, right reading. Lay your handle on top spacing the two ends equally from the center. You can line up your handles with the bottom edge of your fabric or drop the ends down about 1/4″ below your fabric to give a little extra grip in there. My finished bag has about 2.5″ between the handles (it’s shown a little wider in this photo which I took after the fact). Pin in place.

Next you will lay the pieced section of your outer panel right side down, upside down, on top of your handle piece, lining up the bottom edges. Sew along the bottom edge with a 1/4″ seam. I recommend going back over the handle areas a couple times and backstitching well on either side of them.

Press the larger piece down. NOTE: My handles could not be ironed, so be sure to test your material if you aren’t sure.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

Repeat these steps for the other side of your bag. After my two outer panels were assembled, I used fusible fleece  on them to stabilize my bag and I love the feel of it. You can also use batting and then quilt your panels or do some edge topstitching to hold it in place. If you’d like a lighter bag, you can use a medium weight interfacing, but I do recommend using some type of interfacing on the back of your outer panels. I did not use any interfacing on my lining.

CONSTRUCTING THE BAG:

Next you will take your two outer panels and place them right sides together. Sew with a 1/4″ seam down the left and right sides and across the bottom. You corner cut outs will be open. Repeat these steps for the two lining pieces, but leave a large gap in the bottom seam for turning. Just sew about 1/2″ in from either end.

To sew the boxed corners, keep your pieces wrong sides out. Open up the piece a bit and fold one inner side seam down to the inner bottom seam, lining them up and lining up both cut edges of your corner cut out. Sew along the edge with a 1/4″ seam. Repeat for the other side of your bag outside and your lining.

To sew in your lining, turn the outside of your bag right side out. Keep your lining wrong side out. Slide the outside of your bag into the lining, the two pieces will be right sides together. Line up the top edges making sure to match the side seams and sew around using a 1/2″ seam.

Turn your bag right side out through the gap in the bottom of your lining. Stitch the gap closed and turn your lining inside your bag. Press around the top and top stitch if desired.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

ADDING DECORATIVE TRIM:

Once all the elements of this bag came together and I was planning the design (see a couple options I was tossing around below), I was going to stitch the bat trim onto the bag panels after they were pieced and then use a piece of woven striped ribbon on top. I liked the added design element but I also wanted to cover the satin ribbon the bats were on because it looked a little generic to me.

Midnight Bite Treat Bag Tutorial | lillyella stitchery

After texting about seven people for their opinions (ya, Im a high maintenance friend), I decided to keep it a little cleaner and just use the bat trim, but I did not want to throw off the balance of the black dotted fabric strip by having the black ribbon of the bats showing. Typically I would sew the trim into the seam, much like piping, but I was concerned about keeping it in place and hitting the beads with my machine foot. I also wanted the bats to fall evenly in line with my dots (OCD, I know). So I clipped the bats off the ribbon and restrung each one then sewed it in place on my bag panels. I did this after adding my fusible fleece to my pieced panels. Since there’s only five bats on each side, it went really quick.

FEATURED FABRICS:

The top hexie print is from the line Happy Haunting by Deena Rutter for Riley Blake (it also comes in orange and black!). I unfortunately have no idea what the purple background of my bat is. I grabbed it last minute at my LQS, but I’ll see if I can find it next time I’m up there. The Happy Haunting line has a purple print with tiny black spiders on it that would match and make a cute background, too. The black strip with the dots is Spellbound from Cotton + Steel and the bottom web print is from Spooktacular, Too (also in the newer Spooktacular Eve) by Maude Ashbury for Blend.

I hope you enjoy this tutorial, happy haunting, friends!

Midnight Bite Treat Bag Tutorial | lillyella stitchery