Cotton Cuts Mystery Quilt Blog Hop

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Last month, I had the opportunity to participate in a really fun Blog Hop for an awesome “block of the month” type quilt from Cotton Cuts called the Puzzle Mystery Quilt. This is seriously such a cool concept! if you haven’t heard of it before, this is how it works…

The club begins in February or July and runs for one year, with a new quilt theme each year. (And before I forget to mention it, sign ups for next years Mystery Quilt beginning in February start TODAY! Click here for all the details.)

The current Mystery Quilt theme that I was part of is Through the Garden Gate. When you sign up for the club, you choose a colorway and finished quilt size. The colorways/fabrics for the Spring Puzzle Mystery Quilt (PMQ) are so fun! There is always a variety of styles to choose from. Some of the upcoming spring choices include Panache by Rebecca Bryan, Fable by Rae Ritchie, Diving Board by Alison Glass and many more.

Each month you receive a packet of PRECUT fabric (the best part!) and directions on piecing that month’s blocks or block parts. The mystery aspect is that you have no idea how it will come together until the last month when you receive directions on how to piece all your parts together.

What I love most about this is how quick and easy it was. Because the fabrics come precut, you just sit down for about an hour of sewing and that month’s blocks are done. This is something I COULD ACTUALLY KEEP UP WITH! Right?!

#TeamZinnia (2)So, when you join the club, you make the entire quilt yourself, but to help spread the word and make an awesome quilt for Charity (which you can enter to win, read on!), Cotton Cuts asked a group of us to each make one month’s blocks. The colorway we worked on is the Aster colorway which is a mix of Carolyn Friedlander fabrics. Below you can also see the other colorways from the 2017 PMQ.

Process Support Documents - MQ2.pdf

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Here is an example of what you receive each month, your precut fabrics and direction sheet. It was really easy to follow and took me about 45 minutes, if even, to sew all my parts.

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In the end, below are the November “blocks” I sewed up. I am so anxious to see how these all come together! Everyone who has participated has sent their parts back to Cotton Cuts for them to assemble the final quilt which will be raffled off to benefit Valley Industries.

You can read more about this cause and enter the quilt raffle here!

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As I mentioned in the beginning, sign ups for the 2018 Puzzle Mystery Quilt are now open! You can see all the colorways and learn more here. I’m really torn between the Dublin and Helinski colorways – which is your favorite??

You can check out the previous and upcoming clues through the Blog Hop here:

July – Sheila Christensen (www.mysteryquilter.com) with guest blogger Kim Moos
August – Yvonne Fuchs (www.quiltingjetgirl.com)
September – Teri Lucas (www.terificreations.com)
October – Wendy Welsh (www.wendysquiltsandmore.blogspot.com)
November – Nicole Young (www.lillyella.com)
December – Chris Dodsley (www.madebychrissied.blogspot.com)
January – Amy Smart (www.diaryofaquilter.com)
February – Sam Hunter (www.huntersdesignstudio.com)
March – Cheryl Sleboda (www.muppin.com)

Happy sewing, friends!
~ nicole

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Planning my Moonstone Quilt

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Howdy, friends! I’m here today with a short post about planning my Moonstone Quilt. There is a high likelihood that all of this may only make sense in my own head, but planning this was a HUGE struggle for me, so I wanted to share my thought process in case it does happen to help anyone!

First, if you haven’t seen the Moonstone pattern by Giucy Giuce and Karen The DIY Addict, you must check it out! (You can find it here.) Moonstone is an English Paper Piecing pattern (aka hand sewing!) and it comes in a fantastic kit complete with all the pieces you need to make a quilt, or several small projects, along with acrylic templates for cutting your pieces. The kit and pattern are really well done and I think the design is just so striking! It was just recently released, but there are already a handful of really inspiring photos on social media under #moonstonequilt.

AAANNDDDD… there just so happens to be an AMAZING giveaway going on right now where TWO lucky winners will be flown to San Fransisco to hang out with Giuseppe and Karen for the launch of the Moonstone Sew Along! You can find all the details here.

Ok… onto my quilt!

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For my Moonstone quilt, all I knew was that I wanted to use the new line, Neptune and the Mermaid by Margot Elena (Tokyo Milk) for Free Spirit Fabrics. It’s absolutely dreamy and seems like it was just made for fussy cutting. That’s as far as my plan went. I couldn’t even decide what configuration of the pattern I wanted to use.

So I stared, and stared, and stared some more. I only chose a few of my favorite prints from the line, but was really struggling because there is a lot of variation in color in what I chose. As a whole, the line ties together, but when you just pick and choose some prints, not quite as much.

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I started to pull some blenders in every color used in all the prints I had and decided that a Free Spirit Fabric designer mash up would be the way to go. I pulled what I could from my Tula Pink and Anna Maria Horner stash, and order a few more things by those two ladies, as well as Amy Butler and Heather Bailey.

I hadn’t really planned to use this many colors in the quilt, but once I saw them all together, how could I not? I had to figure out a plan. I organized all the blenders by color and took some photos. I spent a good amount of time looking at the photo of all my focals and then at the photo below of all the blenders. I stewed about it for awhile, as I usually do with projects. I kept hoping something would come to me.

And then I stewed some more. I mean, I stewed A LOT. I thought about while I walked the dogs, while I did dishes, I’m pretty sure I even dreamed about it.

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Something that many of you likely already know about me is that I am a planner. Hard core. I so desperately wanted to start cutting and sewing, but knew that I had to figure out where it was going first.

So I thought about the focals and how I would fussy cut them. I took photos of all the parts I planned to use and thought about the main colors in each of those parts, then I made a list. This helped me figure out how many variations I had to work with in my design and how I may be able to organize them.

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I kept going back to the idea of a color fade. Perhaps diagonally across the quilt or something, but I couldn’t make that work. I ended up order some of the dark blue color way of the Neptune line because I felt like I was going to need it to balance everything out.

It was time to make some decisions. First, I had to pick a pattern configuration and then I just had to start playing.

I use Adobe Illustrator for most of my drawing and layout. I understand many people do not have this program, so these next steps may not be helpful for everyone, but it is a great program that anyone can use with a little patience and a few YouTube tutorials!

I really loved the Gems configuration of Moonstone because I love the four pointed stars it makes, but I wanted my fussy cut focals to run horizontally and diagonally because they are primarily people and fish, so I rotated the gems configuration 45° to what you see below. I drew up the pattern in Illustrator so that I could begin placing my fabrics and colors.

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I input JPG swatches of the focal fabrics and turn them into pattern swatches so that I can place them into shapes. It’s not perfect, but it definitely does the job!

Once I had the pattern drawn up, I stared at the blank canvas for a bit until I decided which shapes I wanted to focus on. I settled on the large four-pointed stars that you can see around the outer edges and their center octagons. Everything would radiate from these. I started playing with those elements only and trying different repetitive color arrangements.

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I was going a little crazy with all the possibilities so finally just chose my favorite and started filling in the spaces between. I still really wanted to achieve some sort of color gradation and began trying to do that between the stars. It took some time, but I finally felt like it was moving in the right direction!

Once I reached the point shown above, I felt confident enough about the direction that I could start sewing.

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A good part of what I’ve already laid out will repeat around, but I do still have a bit more to work out. All in good time…

In the meantime, I can sew! I finished my first piece yesterday and have my second prepped. My plan is to work out from the middle of the quilt so that I can stop or keep going at any point. My current design plan is about 65″ square.

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There’s no question that this quilt will take me quite awhile to finish, but I know I’ll enjoy the process, and that’s what matters!

Saki Quilt Workshop in Albuquerque · August 12 & 13

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Calling all my Southwest friends in or around New Mexico! (Or anywhere in the world who may want to get away for a couple days!)

My other half, Sariditty, and I are so excited to announce that we’ll be teaching our SARIELLA Saki Butterfly Quilt Workshop will be at Hip Stitch in Albuquerque, New Mexico on August 12 & 13. During this two-day class, you will learn all the basics of Foundation Paper Piecing and Appliqué, as well as how to tackle these techniques on a large scale, while you make a Saki butterfly quilt of your own. Basic knowledge of quilt piecing is required, all skill levels welcome. The class runs from 9am – 5pm both days. The finished quilt measures 75″ x 58″.

In addition to the workshop, we will also be doing a Trunk Show at Hip Stitch on Friday, August 11 at 6pm. All are welcome! Admission is $10. We will be sharing some of our work, as well as talking about our favorite modern quilting tips, tricks and techniques. There will also be some amazing door prizes!

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The cost of the Saki Quilt Workshop is $200 and space is limited to 20 participants. Cost includes paper pattern, pattern templates, and admission to the trunk show. A materials list will be supplied upon registration. Sign ups are now open and you can register by calling the shop, visiting their website, emailing them, or just stopping in!

HIP STITCH
2320 Wisconsin St., NE, Albuquerque
505-821-2739
hipstitchabq.com
Email: HipStitchABQ@gmail.com

If you have any questions, please leave a comment below or contact us here. We hope to see you there!

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I may be underdressed, but at least I’m not late.

Earlier this year, Art Gallery Fabrics asked if I wanted to play with any of their new collections, and when I first saw Lower the Volume, I immediately knew I had to make a quilt. I have been wanting to make a low volume quilt for some time and this was the perfect opportunity to finally do it. Shortly there after, Mister Domestic asked me to be a part of his sewing party showcasing the new AGF Capsules and Fusions lines, to which I replied, “of course!”, seeing as I already had this plan in the works, and who doesn’t want to party?! But then I went into panic mode…

I knew there was no way I could finish this quilt “on time”. My thought was that I should make something else so I would have a beautiful finished product to show off when it was my day on the tour. This is what I typically do and how I always think. The problem with this is that I never let myself do the “big projects” that I really WANT to do, because I never have enough time to complete them.

I am a slow sewer, and I mean SLOW. This is partly because I just physically move slow and meticulously when I create, partly because I’m always working on about 13 things at once, and partly because I just don’t have a lot of time to sew, especially when spring hits and it’s time to tend to the land, or when my husband gets extra busy at work because sh*t is hitting the fan somewhere in the world.

So, there you have my little chunk of a quilt top in progress. I have no idea when I will finish it (though I’m super excited to because I am LOVING it!), because I’m not even done typing this blog post and already stressing about the new deadlines I have ahead of me next week.

Showing off this unfinished top for my day on the blog tour is painful and embarrassing for me. I’ve been feeling disappointed in myself all week and I know that’s just ridiculous, right?! We are always striving for a picture of perfection, even though every one of us knows that is never what life is actually like behind the scenes of social media. But, despite these feelings, I’m really glad that I chose to continue with this selfish sewing project, to let myself make something that I really wanted to, and to try and be more comfortable with being “less than perfect”. I do hope you like what you see thus far, though, and help cheer me onto the finish line!

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ABOUT THE FABRIC & PATTERN

Lower the Volume is one of four new Art Gallery Fabrics Capsules collections, and I think its awesomeness speaks for itself! We all use low volumes in nearly every project we make, but what I love about this line is how it’s interesting and lively enough to stand all on its own. I originally planned to use the line exclusively in the quilt, but decided that a small pop of color would be a really nice accent.

I chose the fantastic plaid shown above from the new Mad Plaid capsule collection for the backing (because it matches my living room perfectly!) and pulled the accent colors from there, which are Art Gallery Pure Elements and Solid Smooth denims (my favorites!). Aside from a single row of blue and yellow hexies, the rest of the quilt will be all low volume.

The pattern I’m using is Sari’s and my Sariella Deco Hex pattern that we created for the April Stash Builder Anniversary box. If you saw the mini we originally made, you’ll see I’ve rotated the pattern 90° counter-clockwise here for use in the quilt. I also enlarged the pattern a bit. If you missed the pattern in the Stash Builder box, it will be available from Sariella later this year, so stay tuned! I will also share more about my process in making this quilt when I finish it.

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STOP by the party!

Today wraps up week one of Mister Domestic’s Sewing Party, but be sure to check out the other posts from this week (shown above, links below), and also the Fusions portions of the tour beginning next week. I’ve already seen a few of the projects and they are legen… wait for it… DARY!

Capsules (April 17 – 21):
Monday: Cristy Stuhldreher (@loveyousew_) http://www.iloveyousew.com/
Tuesday: Kitty Wilkin (@nightquilter) https://nightquilter.com/
Wednesday: Sharon McConnell (@colorgirlquilts) http://colorgirlquilts.com/
Thursday: Stephanie Palmer (@latenightquilter) http://latenightquilter.com/
Friday: Nicole Young (@lillyellasworld) That’s me!

Fusions (April 24th – 28th)
Monday: Nicole Daksiewicz (@modernhandcraft) http://modernhandcraft.com/
Tuesday: Tara Curtis (@t_jaye, @WEFTYneedle) http://www.tjaye.com/
Wednesday: Melissa LeRay (@ohhowsweetco) http://www.ohhowsweet.com/
Thursday: Sarah Thomas (@sariditty) http://www.sariditty.com/
Friday: Jennifer Rossotti (@jennrossotti) http://gingerpeachstudio.com/

Have a fabulous weekend, friends!
~nicole

p.s. bonus points if you can guess what show I’ve been binge watching this week!

Beautiful Blithe (and a new pattern)

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Happy December, friends! Gosh, has this year flown by. I always have such big plans at the start of each year and then beat myself up at the end when I’ve barely touch my grand to-do list. But, life happens and I’m trying to teach myself to not stress about the things I don’t accomplish, but rather enjoy the time I spend on the things I do!

Easier said than done though, right?

I drew up my Bias Weave quilt pattern at least six months ago, probably longer. I designed it specifically for my Stash Fabrics Design Star Bundle and got as far as cutting everything and piecing a few rows, when things got really out of control around here, so on the back burner it went. But, when Katarina Roccella asked if I’d like to create a piece for her Blithe fabrics lookbook, I just could not say no because I love her and her fabrics!

I decided that an oversized pillow version of the pattern would be a great way to showcase the fabrics and get me motivated to keep working on the full quilt.

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I created this a couple months ago and the Blithe Lookbook is now out so I’m excited to share it with you! The pillow measures about 26″ x 23″ and is living on my bed right now. It’s a really nice sham size and it’s perfect for propping myself up to read. I’ve also used it on the floor when I’m crafting.

My husband put it best though, I have to say, “This is like a fancy person pillow. Like someone buys it out of a fancy magazine to put on a fancy couch that no one sits on. It’s all high class and sh*t.”. I’ll take that as a compliment, I think. (Disclaimer: My husband doesn’t always speak like a redneck. The first part was serious, then he started being a smart ass 🙂

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ABOUT THE FABRICS

Katarina has done it yet again, she is a true artist! Blithe is so dreamy and gorgeous. Deer, owls, birds, butterflies, tall trees, soft blenders, it feels like your taking a trip into a majestic winter wonderland. In addition to quilting cottons, the line includes canvas, knits, voile, ANNNNDDDDD Art Gallery Fabrics first printed linen – it is amazing! (It’s the antler print on the right below.)

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The line also pairs beautifully with the Art Gallery Denim Studio collection. I used the vanilla mist yarn dye and wicked sky smooth solid denims for the border strips on the front and incorporated the nectarine sunrise smooth solid into the back. The cool foliage is a perfect match, as well.

Click here or the pic below to check out the entire fabric line and all the amazing projects in the Blithe Lookbook >

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ABOUT THE PATTERN

My Bias Weave pattern will be for a full quilt and include a few sizes, but like the pillow I created, you can make a variety of pieces using the “block”. I wanted to create the full quilt sample before releasing the pattern, but I’m considering releasing it with just a diagram and the directions before I finish the quilt. I will (unfortunately!) be having surgery soon and I will have a lot of down time where I can work on the computer, but won’t be able to cut and sew for a bit. What do you think? I know this isn’t uncommon, but it’s just not something I’ve done myself. Give me your feedback, please!

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The pattern isn’t technically difficult to sew, but does require precision in cutting and piecing, so I’ll call it a skill builder! I did, however, build a little overage into the blocks to allow for trimming, which makes that precision pretty easy to accomplish.

There’s so many fun ways to play with color and fabric placement, I’m really excited to get this pattern out to testers and see what everyone comes up with!

I hope you’ve enjoyed a peek at this amazing new line, Blithe, and please take a second to leave me some feedback on the pattern release!

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Disappearing nine-patch with sashing: a quick tutorial

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When I first started quilting, I thought the disappearing nine-patch block was like magic! Before I knew anything about modern fabric or designers, I found a Flea Market Fancy 6″ charm pack at my very traditional LQS and got to work.

The traditional nine-patch was a little busy for me, but add some sashing and boom! I was in love. Quick, easy, and a perfect, fun block for charm packs or squares of any size.

Disappearing nine-patch with sashing: a quick tutorial by lillyella stitchery

So here’s a quick breakdown on how this goes together (and finishing this is high on my WIP list, so I’ll hopefully post a completed pic soon!)…

The charm pack I had was 6″ squares, but you can use any size squares, as well as any size sashing. My strips are 1.5″ cut for a 1″ finished sashing.

Disappearing nine-patch with sashing: a quick tutorial by lillyella stitchery

Start by sewing three rows of three squares each with sashing strips between.

Disappearing nine-patch with sashing: a quick tutorial by lillyella stitchery

Next you will piece the three rows together with sashing strips to create your starting block and then cut it in half both ways to create four blocks.

Disappearing nine-patch with sashing: a quick tutorial by lillyella stitchery

You can now piece these blocks together, with or without more sashing, in any arrangement you like. They can all go in the same orientation for a symmetrical look or you can vary them. (The above pic is just a mock up if you’re wondering why my seams look funny!)

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So there you have it! This simple block has so many possibilities. Use bold colors and black sashing for a stained glass window effect or try using big prints in just the squares that don’t get cut and use solids for the rest of the blocks and the sashing.