Sew-A-Long Tutorials for Beginners

Hello, my Sew-A-Long friends! Today I’ll be sharing a few tutorial links for those who are joining in the Undercover Maker Mat SAL, but may not be familiar with basic quilting or paper piecing (which is an optional element!). There are a lot of step-by-step photos in the pattern and many basic techniques, but it does require basic knowledge of making a “quilt sandwich”, binding a quilt, and paper piecing , if you choose. If you haven’t viewed my Instagram stories, please pop over and take a look. I’m saving all the SAL stories in a highlight which you can access anytime from my main profile. You can also turn on notifications for my posts and/or my stories so you don’t miss anything. I shared a few tips and examples yesterday on how to simplify or customize your mat, so this can help you with the planning stage.

Onto the tutorials! If you’re new to quilting, you will need basic knowledge of how to layer your top, batting and backing for the main mat body (aka the “quilt sandwich”), and how to do the quilting stitches. This tutorial from Suzy Quilts covers all the basics. It applies to a large quilt, so working with your main mat body will simply be a smaller and simpler version! Straight line quilting is a great design for beginners, or a crosshatch is a always a nice option, too. I’m not sure its mentioned in the tutorial, but I love using a Herra Marker (a bone folder or scoring tool also works similarly) to mark my quilting lines, especially for something like a crosshatch. Here is a video on using a Herra Marker.

Another quilting technique you will need to know comes at the very end of the project, but it is binding. This is the little edge “wrap” that goes around the entire piece and seals everything up. Here is a helpful tutorial from Craftsy.

Lastly, we have paper piecing. If you’d like to create the butterfly pocket panel as shown in the pattern, but have never paper pieced before, don’t be intimidated! This is a great time to learn! Cassandra Madge did a wonderful two-part tutorial for beginners using my Butterfly Charm Blocks pattern and you can find part 1 here and part 2 here.

As always, feel free to contact me anytime if you have questions along the way, and stay tuned for more helpful tips here and on Instagram!

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Brimfield Meadows + EPP Tips

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Howdy, friends! Sheesh, this blog has been neglected. Some days I feel bad and others I don’t because most people have the attention span of a goldfish these days and blogs aren’t what they used to be. Still, I love to have a space to share more than a few words and one photo of something, regardless of who ever reads it!

Life has been extra crazy lately, but I squeezed in a few days of hand stitching recently because I needed to create something beautiful for myself. I stitched up the new Brimfield Meadows block from Brimfield Awakening and HOT DOG! I couldn’t be happier with it. It was quick and fun to sew, it came together like a dream and it’s such a unique and beautiful shape. I used Sleeping Porch lawn to match the bed quilt I’m working on and plan to make a pillow out of this block to go in my bedroom.

While I’m here, I just wanted to share a few things I loved about this pattern and how I sewed up the variation I chose. I’m also going to talk a bit about some of my favorite notions for English Paper Piecing, because I often get questions in my social media posts. I am by no means an EPP expert, but I have experimented with a variety of threads, basting techniques and stitching methods, and definitely have my favorites that I think yield nearly flawless results.

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Above are just a handful of the fabric placements I was playing with for this block. My final block matches the top left diagram above. You can see all the separate segments of the pattern and how I chose to combine two or three pieces in areas to create one larger piece. I love how you can do this to change the final look of there block, use larger fussy cuts, and make the stitching go quicker!

I simply taped some of the segments together to create the larger units. Note that the outer most tip of every “petal” is perforated on the paper so you can use them whole or split them as I did. Also, another design variation that isn’t shown above is different arrangement of those center “orange peels”. You can flip them 180° from how I used them, sew them up as one unit or even leave half or all of the segments out completely, letting your background show through. You can check out the hashtag #BrimfieldMeadows on social media to see some beautiful examples of all these variations.

While this photo above may look like someone’s unmade bed, it’s how I audition fabrics. If you look close you can see the method to my madness! I’m a total planner, so even when I say I’ll just “wing it”, I always end up making diagrams and taking pics of piles of fabrics to help me plan things, or at least start in the right direction.

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TIPS & TOOLS

Basting curves was new to me, and it took me a couple tries to figure out the best order of basting down the sides, but once I did, it was really easy! I basted the concave edge first, then pulled the convex edge as needed to make it smooth, and did the two straight sides last. I cut small notches to help with the concave curves which you can see below. As I mentioned above, I used small pieces of tape to connect the paper pieces and create the larger units, which you can also see below.

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When I first started EPP, I would thread baste, mainly because I didn’t have glue basting supplies and didn’t feel like researching how to do it! I tried glue basting because it seemed to save time and it did not work for me AT ALL! The problem was that I was applying the glue all the way to the edge of the paper and I couldn’t grab my fabric to stitch it. I watched some amazing tutorial videos from the queen of EPP Karen the DIY addict and it changed my glue basting life! I watched her apply the glue a bit in from the edges and it was like a “why didn’t I try that?!” kind of moment, but it works like a charm and I’m all glue now! I prefer to use a glue pen (such as Sewline or Fons and Porter).

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When it comes to stitching all those pieces together, I also tried many methods and many threads! If you know me at all, you probably see what a perfectionist I usually am, so visible stitches drive me BONKERS! Though I have learned that sometimes this is on purpose to show consistency? Regardless, it’s not for me. Once again, Karen saved my EPP life with her flat back stitching tutorial. You can see in the photos above of the back of my block that my stitches are by no means consistent or perfect, but you can see directly above how they are not visible at all from the front. This is the only stitching method I use and while some people think it’s slower than others, I find it very easy and quick. It helps to line up pieces and I love that the stitches are hidden so well.

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Last but not least, my favorite thread and my favorite thimble! Hands down, I love InvisaFil thread from WonderFil. It is 100wt polyester and virtually invisible. I do double the thread over and sew with two strands simply because I like a secure thread on my needle, rather than a loose tail, but it’s strong enough to be used as a single strand. I have tried 80wt cotton threads and they also work well, but I’m a tight puller and am much more likely to break the cotton thread, but I’ve never broken the InvisaFil. I match my thread to my lighter fabric when possible, but as you can see in my detail shots, it’s not too important since you can’t see the stitches!

My favorite thimble, which I cannot stitch without these days, is the Natural Fit Leather thimble shown above which is from Clover. It comes in three sizes and I wear a small on my middle finger, but I have pretty tiny hands 🙂

So, that’s all I got for now! I hope some of these little tips and resources have been helpful to you. I’ll be sure to share my finished Brimfield Meadows pillow once it’s complete, and you may very well see more blocks popping up because I am in love with this pattern (which you can find here if you’re interested)!

happy stitching!
~ nicole

Santa’s Chimney Basket

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I can’t remember what spurred this last minute idea, but OHEMMGEEE is this adorable or what?! I used my free Sturdy Basket Pattern to make a snow covered chimney to hold my Christmas cards. Now I need to make another to hold Santa!

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I used the brick print from Grafic fabric for the basket outer and lining and some faux sherpa for the “snow”. The sturdy fabric basket pattern (find it here) includes directions on making any size basket you wish, so you can customize your chimney, but I made mine 6.5″ wide x 6″ high x 3.5″ deep. In the photo below, I did put a little padding inside the bottom of the basket to make the cards sit a little higher. I didn’t want to make the basket shorter because I wanted to see enough brick.

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I made the basket as specified in the pattern, but I did not press the exposed top of the lining in half before folding it over the top of the basket , I just folded it over so the raw edge was exposed. It gets covered by the sherpa so it doesn’t matter. You really don’t even need to make the lining larger than the outer piece since it is covered. I did it because I wasn’t sure if I would fold the sherpa inside or wrap it on the outside just around the top.

To make the snow top, I cut a piece of the sherpa 20.5″ wide by 5″ high then simply wrapped it around the top of the basket and folded half to the inside. The backing of the sherpa clung to the brick fabric really nicely so I didn’t even need to secure it in place, but you could use some glue if desired. If you make your basket a different size, you’ll need to adjust the size of your sherpa cut. Simply add width x 2 + depth x 2. I added a half inch on top of this just to be safe.

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This project was so quick and fun. I definitely want to make some for gift giving next year! I’d love to see what you make! Please tag me on social media or use the hashtag #sturdyfabricbasket.

Happy Holidays, friends!
~ nikki

‘lil monsters treat bags

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Fall is in the air and Halloween is right around the corner! I usually don’t have any ‘lil monsters in my life, but since one of my besties happened to be in town for an extended visit, I couldn’t resist whipping up some new treat bags for her littles.

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I used the midnight bite treat bag tutorial that I shared last year (find the free pattern here) and some ‘lil monsters fabric from cotton + steel, which was absolutely perfect. This line has a little more of a playful feel to it and I was able to pull prints and colors to make both an older boy and a little girl equally happy! Also, our Aurifil Sariella Thread Collection had just the right colors I needed for yet another project! #win

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I used solid pieces for the top panel, instead of the pieced bat as in the original, making this project really quick. I used a spider pom pom trim on one and metallic skulls on the other, both of which I found at Joann’s.

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I hope this inspires you to whip up some treat bags for the ‘lil monsters in your life! I’d love to see what you make. Tag your pics on social media with #midnightbitetreatbag or email me! Happy Haunting!

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Planning my Moonstone Quilt

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Howdy, friends! I’m here today with a short post about planning my Moonstone Quilt. There is a high likelihood that all of this may only make sense in my own head, but planning this was a HUGE struggle for me, so I wanted to share my thought process in case it does happen to help anyone!

First, if you haven’t seen the Moonstone pattern by Giucy Giuce and Karen The DIY Addict, you must check it out! (You can find it here.) Moonstone is an English Paper Piecing pattern (aka hand sewing!) and it comes in a fantastic kit complete with all the pieces you need to make a quilt, or several small projects, along with acrylic templates for cutting your pieces. The kit and pattern are really well done and I think the design is just so striking! It was just recently released, but there are already a handful of really inspiring photos on social media under #moonstonequilt.

AAANNDDDD… there just so happens to be an AMAZING giveaway going on right now where TWO lucky winners will be flown to San Fransisco to hang out with Giuseppe and Karen for the launch of the Moonstone Sew Along! You can find all the details here.

Ok… onto my quilt!

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For my Moonstone quilt, all I knew was that I wanted to use the new line, Neptune and the Mermaid by Margot Elena (Tokyo Milk) for Free Spirit Fabrics. It’s absolutely dreamy and seems like it was just made for fussy cutting. That’s as far as my plan went. I couldn’t even decide what configuration of the pattern I wanted to use.

So I stared, and stared, and stared some more. I only chose a few of my favorite prints from the line, but was really struggling because there is a lot of variation in color in what I chose. As a whole, the line ties together, but when you just pick and choose some prints, not quite as much.

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I started to pull some blenders in every color used in all the prints I had and decided that a Free Spirit Fabric designer mash up would be the way to go. I pulled what I could from my Tula Pink and Anna Maria Horner stash, and order a few more things by those two ladies, as well as Amy Butler and Heather Bailey.

I hadn’t really planned to use this many colors in the quilt, but once I saw them all together, how could I not? I had to figure out a plan. I organized all the blenders by color and took some photos. I spent a good amount of time looking at the photo of all my focals and then at the photo below of all the blenders. I stewed about it for awhile, as I usually do with projects. I kept hoping something would come to me.

And then I stewed some more. I mean, I stewed A LOT. I thought about while I walked the dogs, while I did dishes, I’m pretty sure I even dreamed about it.

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Something that many of you likely already know about me is that I am a planner. Hard core. I so desperately wanted to start cutting and sewing, but knew that I had to figure out where it was going first.

So I thought about the focals and how I would fussy cut them. I took photos of all the parts I planned to use and thought about the main colors in each of those parts, then I made a list. This helped me figure out how many variations I had to work with in my design and how I may be able to organize them.

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I kept going back to the idea of a color fade. Perhaps diagonally across the quilt or something, but I couldn’t make that work. I ended up order some of the dark blue color way of the Neptune line because I felt like I was going to need it to balance everything out.

It was time to make some decisions. First, I had to pick a pattern configuration and then I just had to start playing.

I use Adobe Illustrator for most of my drawing and layout. I understand many people do not have this program, so these next steps may not be helpful for everyone, but it is a great program that anyone can use with a little patience and a few YouTube tutorials!

I really loved the Gems configuration of Moonstone because I love the four pointed stars it makes, but I wanted my fussy cut focals to run horizontally and diagonally because they are primarily people and fish, so I rotated the gems configuration 45° to what you see below. I drew up the pattern in Illustrator so that I could begin placing my fabrics and colors.

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I input JPG swatches of the focal fabrics and turn them into pattern swatches so that I can place them into shapes. It’s not perfect, but it definitely does the job!

Once I had the pattern drawn up, I stared at the blank canvas for a bit until I decided which shapes I wanted to focus on. I settled on the large four-pointed stars that you can see around the outer edges and their center octagons. Everything would radiate from these. I started playing with those elements only and trying different repetitive color arrangements.

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I was going a little crazy with all the possibilities so finally just chose my favorite and started filling in the spaces between. I still really wanted to achieve some sort of color gradation and began trying to do that between the stars. It took some time, but I finally felt like it was moving in the right direction!

Once I reached the point shown above, I felt confident enough about the direction that I could start sewing.

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A good part of what I’ve already laid out will repeat around, but I do still have a bit more to work out. All in good time…

In the meantime, I can sew! I finished my first piece yesterday and have my second prepped. My plan is to work out from the middle of the quilt so that I can stop or keep going at any point. My current design plan is about 65″ square.

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There’s no question that this quilt will take me quite awhile to finish, but I know I’ll enjoy the process, and that’s what matters!

I may be underdressed, but at least I’m not late.

Earlier this year, Art Gallery Fabrics asked if I wanted to play with any of their new collections, and when I first saw Lower the Volume, I immediately knew I had to make a quilt. I have been wanting to make a low volume quilt for some time and this was the perfect opportunity to finally do it. Shortly there after, Mister Domestic asked me to be a part of his sewing party showcasing the new AGF Capsules and Fusions lines, to which I replied, “of course!”, seeing as I already had this plan in the works, and who doesn’t want to party?! But then I went into panic mode…

I knew there was no way I could finish this quilt “on time”. My thought was that I should make something else so I would have a beautiful finished product to show off when it was my day on the tour. This is what I typically do and how I always think. The problem with this is that I never let myself do the “big projects” that I really WANT to do, because I never have enough time to complete them.

I am a slow sewer, and I mean SLOW. This is partly because I just physically move slow and meticulously when I create, partly because I’m always working on about 13 things at once, and partly because I just don’t have a lot of time to sew, especially when spring hits and it’s time to tend to the land, or when my husband gets extra busy at work because sh*t is hitting the fan somewhere in the world.

So, there you have my little chunk of a quilt top in progress. I have no idea when I will finish it (though I’m super excited to because I am LOVING it!), because I’m not even done typing this blog post and already stressing about the new deadlines I have ahead of me next week.

Showing off this unfinished top for my day on the blog tour is painful and embarrassing for me. I’ve been feeling disappointed in myself all week and I know that’s just ridiculous, right?! We are always striving for a picture of perfection, even though every one of us knows that is never what life is actually like behind the scenes of social media. But, despite these feelings, I’m really glad that I chose to continue with this selfish sewing project, to let myself make something that I really wanted to, and to try and be more comfortable with being “less than perfect”. I do hope you like what you see thus far, though, and help cheer me onto the finish line!

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ABOUT THE FABRIC & PATTERN

Lower the Volume is one of four new Art Gallery Fabrics Capsules collections, and I think its awesomeness speaks for itself! We all use low volumes in nearly every project we make, but what I love about this line is how it’s interesting and lively enough to stand all on its own. I originally planned to use the line exclusively in the quilt, but decided that a small pop of color would be a really nice accent.

I chose the fantastic plaid shown above from the new Mad Plaid capsule collection for the backing (because it matches my living room perfectly!) and pulled the accent colors from there, which are Art Gallery Pure Elements and Solid Smooth denims (my favorites!). Aside from a single row of blue and yellow hexies, the rest of the quilt will be all low volume.

The pattern I’m using is Sari’s and my Sariella Deco Hex pattern that we created for the April Stash Builder Anniversary box. If you saw the mini we originally made, you’ll see I’ve rotated the pattern 90° counter-clockwise here for use in the quilt. I also enlarged the pattern a bit. If you missed the pattern in the Stash Builder box, it will be available from Sariella later this year, so stay tuned! I will also share more about my process in making this quilt when I finish it.

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STOP by the party!

Today wraps up week one of Mister Domestic’s Sewing Party, but be sure to check out the other posts from this week (shown above, links below), and also the Fusions portions of the tour beginning next week. I’ve already seen a few of the projects and they are legen… wait for it… DARY!

Capsules (April 17 – 21):
Monday: Cristy Stuhldreher (@loveyousew_) http://www.iloveyousew.com/
Tuesday: Kitty Wilkin (@nightquilter) https://nightquilter.com/
Wednesday: Sharon McConnell (@colorgirlquilts) http://colorgirlquilts.com/
Thursday: Stephanie Palmer (@latenightquilter) http://latenightquilter.com/
Friday: Nicole Young (@lillyellasworld) That’s me!

Fusions (April 24th – 28th)
Monday: Nicole Daksiewicz (@modernhandcraft) http://modernhandcraft.com/
Tuesday: Tara Curtis (@t_jaye, @WEFTYneedle) http://www.tjaye.com/
Wednesday: Melissa LeRay (@ohhowsweetco) http://www.ohhowsweet.com/
Thursday: Sarah Thomas (@sariditty) http://www.sariditty.com/
Friday: Jennifer Rossotti (@jennrossotti) http://gingerpeachstudio.com/

Have a fabulous weekend, friends!
~nicole

p.s. bonus points if you can guess what show I’ve been binge watching this week!

Blithe Fabrics Blog Tour

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I first got to play with Katarina Roccella’s newest line, Blithe,  when I made my Bias Weave pillow for the Lookbook last fall. It was love at first sight before I even had the fabric, but you just cannot help but fall head over heels in love once you start piecing it together. Something about the palette and the way it plays with the Art Gallery Fabrics denims just melts your soul. I had a few bits and pieces left from my first project and knew exactly what to make for my stop on the Blog Tour.

I see cathedral windows as a quilty bucket list item, you know? I’ve always loved them (even before I was quilting), and recently watched a friend make a Christmas pillow and it really sparked my fire. It was time. I spent hours looking at and trying various methods and tutorials and decided that the Faux Cathedral Window tutorial by Diary of a Quilt Maven was the way to go for me. The method is pretty much the same as the Missouri Star easy cathedral windows tutorial as well, in case you prefer it in video form.

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What I liked most about this method was two things – first, it used small pieces of fabric, and that was all I had, and second, it felt very precise to me. Being a perfectionist, this is key. It’s also super easy to adjust the size of your windows to anything you wish and to create any shape piece you wish. I won’t walk you through the steps, because that is what the tutorial is for, but below are a few progress photos that may help demonstrate how I translated the tutorial into my finished pillow. Please excuse the bad lighting, it’s been a “work all night” kind of month! If you have any questions, please feel free to leave them in the comments below or send me an email anytime.

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The solid fabric I used along with Blithe on my pillow is solid smooth Art Gallery Fabrics denim in Cool Foliage. It is absolutely perfect with this line and always a dream to work with. I made my window foundation pieces 3″ to start, versus 2.5″ as in the original tutorial, and I pieced 8 units across and four units down to create the window panel. I chose to use the text print inside the petals and the denim for the petal edges, but I also really love the look when these two elements are the same fabric.

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After the full window panel was complete, I pieced on the top and bottom strips that included a 1″ strip of the text print to help carry the design over, and then a 3″ strip of denim. I kept the back simple to showcase the beautiful owl print, but I think it would be really lovely to make a second window panel so the effect wraps all the way around the pillow. The finished pillow measures 20″ wide by about 18″ tall.

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The end result was exactly as I envisioned and there was nothing I did not like about the method I used to make it. l definitely be using it again and may actually have a cathedral window obsession after this experience. I already have two more projects planned!

Now that I have these two gorgeous pillows, I guess it’s time to make a bed quilt! It won’t be cathedral windows. I love them, but not that much 🙂

Be sure to check out all the other *amazing* projects in the blog tour by visiting Katarina’s Instagram feed and through the hashtag #blithefabricsblogtour!

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Flex Frame Pouch & Write On Patterns

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A couple weeks ago I shared my Flex Frame Pouch pattern on fabric.com during their Passport to Summer series for a back to school project. Some of you may recognize this from Make Modern Magazine and the Swapaholics Retreat, and now you can download the free pattern, too. Flex frames are an awesome alternative to zippers and are super easy to use! You can find the 3.5″ frames used in my pattern on fabric.com, and you can also order bulk frames (10 or 50) in 3.5″ and 4.5″ (which I love) from ahkwokbuckles.com.

>> Click here to download the Flex Frame Pouch & Write On PDF Patterns <<

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The pattern includes directions for making the tall pouch, which is perfect for glasses, pencils, or a rotary cutter, as well as the small coin pouch, both shown above.

Also included is the Write On pencils paper piecing pattern to create the options shown below. It can be used with the bottom accent or made into the full pouch. The pencils can also be used for a variety of other projects, too. It’s easy to resize the pattern or add more pencils or other elements to the pattern.

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In the pattern I talk a bit about how to customize the pouch to any size you wish, and wanted to share a few more variations here today, including how to make a perfect gift set for anyone of any age!

The set below shows the two sizes included in the pattern, plus a third size which is perfect for carrying cards and cash. To create this third size, cut the pieces for the top of the tall pouch as indicated in the pattern (6.5″), but do not include the bottom. Then just cut the lining pieces to the same height and assemble.

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Consider personalizing the pouches with fun notions, such as stamped leather tags or decorative accents. Hmmm, I wonder who these are for?! I found the metal plate accent in the paper crafting section of Hobby Lobby. It is Tim Holtz brand.

Also, adding a short chain and key ring makes any pouch the perfect grab and go wallet.

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I tried a few options and positions and decided that I preferred sewing the chain to the inside of the pouch right below the frame sleeves, as shown below. This way the chain and ring can be kept inside or pulled out through the top and the frame closing gives it some added security.

You can find a variety of chains and rings in the jewelry section of any craft store.

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This is a fun pattern that can be customized in so many ways, with any of your favorite materials or patterns. Try a quilt block design you like, another paper piecing pattern, or even some selvedges. If you would like to use the 4.5″ frames (or any other size you may find), simply add the additional width to the cut sizes of your pieces. For example, if using a 4.5″ frame, vs the 3.5″ used in my pattern, simple add 1″ width to all your pieces.

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I’ll be sharing more sizes, shapes, and ways to play with this pattern over the next months, too, so stay tuned! Please tag your pictures with #FlexFramePouch and #WriteOnPattern so I can see all your awesome creations!

Enjoy! ~ nicole

Paperie Blog Tour + New Love Story Pattern

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It’s funny how things work out. The way life’s puzzle pieces always end up fitting together. I first designed the Love Story Pattern for my class at the Swapaholics Retreat last September. Amy Sinibaldi was also teaching and her debut fabric line, Paperie, had not yet been announced when I was prepping for the retreat.

Flash forward a few months to 2016. I’m amping up my pattern in preparation for release and Amy invites me to join her Paperie Blog Tour. I think you’ll see that her fabric and this pattern go together like sprinkles and donuts. And not that pink hearts are ONLY for Valentine’s day, but what perfect timing, wouldn’t you say?

Undercover Maker Mat featuring Paperie Fabrics | lillyella stitchery

As usual, I had trouble wrangling in all my ideas. I did know for certain that first I wanted to make my Undercover Maker Mat (download the free pattern here) using the 5″ Love Story block in place of the butterfly charm block used on the original. This mat is such a fun and useful project that sews up quick and lets you showcase your favorite fabrics.

I decided to make the secondary pockets on this one in solid prints, rather than the selvedges, so I could really show off the line.

Undercover Maker Mat featuring Paperie Fabrics | lillyella stitchery

I was torn between using the texty print or the hearts for the main body of the mat, but now that it’s all finished, I don’t know how it was even a question. The text is just perfect and the strip of hearts pieced in just plain makes me happy!

Undercover Maker Mat featuring Paperie Fabrics | lillyella stitchery

I then carried the heart print over to the removable thread catcher by piecing a strip into the front and using it on the lining. I think it really just balances it all out perfectly.

I used a delicate pink chevron trim on the pocket panel and added a bit of crochet lace on the secondary pocket – in true Amy style!

Undercover Maker Mat featuring Paperie Fabrics | lillyella stitchery

Thanks to the expert advice my official quilter, Sari, I went with a large chevron pattern for the quilting on the mat body. It echos the seams of the heart block perfectly (thank you very much) and also ties in the trim. I used a pale pink Aurifil thread that gives it just the tiniest hint of color and I couldn’t love it more!

Undercover Maker Mat featuring Paperie Fabrics | lillyella stitchery

I kept trying to find a way to use this pretty aqua trim on the pocket panel, but it just felt overpowering. It did, however, work out perfectly for the side ties!

So, what do you think? Is this mat your style? I’ll be giving it away on Instagram next week (and a bundle of fabric!), so stay tuned for that!

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Love Story + Cross my Heart Pattern | lillyella stitchery

Another idea that I just knew I had to run with was designing an X block that coordinated with Love Story. Like Xs and Os, but with a cute heart instead! I’m calling it Cross my Heart and you can download it for free here.

I thought it would be an adorable mini quilt with 4 blocks in a large square, or as a set of pillows (or a two sided pillow!) or a table runner, which is what I decided to make for my sample project.

Love Story Pattern | lillyella stitchery

My Love Story pattern includes two block designs – Poetry (the pink block) and Prose (the navy and white block). I wanted to showcase them both, along with the X, so I thought a little asymmetry would be fun! I used the 10″ blocks here, and the X pattern also includes a 5″ block (how about a set of heart and X coasters?!).

Love Story Pattern | lillyella stitchery

I love how striking the bold pops of pink and navy in this line are mixed with all the beautiful, soft low volumes. By random chance, I had a piece of my favorite chambray denim on my cutting table when I was feverishly trying to decide what to bind my runner with. It was a match made in heaven! The denim pairs so amazingly with this line, it started my mind racing with quilt ideas using Paperie and the new Art Gallery denim line that is coming out soon. SO EXCITED!

Love Story Pattern | lillyella stitchery

Love Story Pattern | lillyella stitchery

I’ll be sharing some design ideas and other fun Love Story projects (including a lap quilt pattern) here and on my Instagram feed over the next couple weeks. You can also check the hashtags #lovestorypattern and #crossmyheartpattern for more inspiration. As always, I can’t wait to see what you all create!

Love Story + Cross My Heart Patterns | lillyella stitchery

Be sure to check out all the other stops on the Paperie Blog Tour for all sorts of swoon worthy projects! You can find links and photos in Amy’s instagram feed and on her blog.

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Love Story Pattern | lillyella stitchery

Now I am in desperate need of a nap! So I will leave you with some more eye candy inspiration! Above is the original Love Story block as it was designed to fit my flex frame pouch project for the retreat.

For the pattern release, I squared off the block and made a coordinating reverse design where the heart is solid and the background is faceted instead. I love the possibilities this opens up for color play and layout ideas!

Love Story Pattern | lillyella stitchery

Here are just a few blocks that my amazing testers sewed up. I’ll be sharing their finished projects soon! You can pick up a copy of the pattern on sale for $6.50 now thru Valentine’s Day in my Payhip, Etsy or Craftsy shops.

happy stitching! ~nicole

Undercover Maker Mat Pattern

Undercover Maker Mat free pattern | lillyella stitchery

This dual purpose sewing space organizer has double pockets and a removable thread catcher to keep all your notions at hand and your workspace tidy. It goes from under to {machine} cover when not in use with side ties to keep it in place.

Click here  to download the PDF pattern.

If you have any questions about the pattern, feel free to contact me anytime. Tag your photos with #undercovermakermat so everyone can be inspired!

Undercover Maker Mat free pattern | lillyella stitchery